Post-Post Critiques of Racism - 970 Words

Carrie Mae Weems and Hank Willis Thomas are two contemporary artists who are defying contemporary social and political categories and taking art photo into an engage era. The essays by Annie E Coombes provide a critical analysis of how the contemporary scene is moving beyond categories of post modern, and post race. Both are efforts to rescue contemporary artists who are dealing with forms of oppression from being described as old fashion or out of date. Carrie Mae Weems is an African American photographer. She was born in 1953 in Portland, Oregon and she currently resides in Brooklyn NY. Her work deals with the issues such as identity, racism, gender, etc. Weems moved to San Francisco after high school where she got her†¦show more content†¦The work of Hank Willis Thomas is very much post in the sense of beyond not against. His work draws on modernist critiques of commercialism and racism but combines them in striking ways that make them more acute and totally in tune with today’s realities. Blacks are not longer simply victims or simple, that is, closer to nature, untouched by modernism. These are the agents and object of commercialism and they bring the historical consciousness of racism into the frame. Carrie Mae Weems and Hank Willis Thomas, both African American artists working in the field of photography. Their work is similar as they both discusses the themes of race, identity, popular cultures, but do it in a different way. Carrie Mae Weems finds hidden racist themes in anthropological photographic styles. Hanks Willis Thomas work draws on modernist critiques of commercialism and racism but combines them in striking ways that fits today’s realities. They both can be seen as a different generation with a different take on racism that makes them postmodern while still engage with issues related to race. Weems and Thomas are both artists, which are carrying on a distinctly American tradition in politics and art that is conscious of race and racism. Both are however moving into new areas and could be called postmodern or post racism. Both critiques are trying to reclaim the post-political, or reposition political involvement in art. Art that is newShow MoreRelatedThe Death Of Trayvon Martin1723 Words   |  7 Pagesinstitutions, the politics of race had risen to a central topic of general discussion as we attuned ourselves to the painful subjects that had seized the news reports those days. 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